I began making music in my early teens on my first electric guitar. Following fleeting engagements with rock, metal, fingerstyle acoustic and jazz, I began to make acousmatic music during my studies at the University of Sheffield. I felt a great affinity with the freedoms this style afforded and composed the works Sticks & Stones and Glimmer, followed by my first album – Between Black and White. These earlier compositions drew on influences within the genre, but also styles such as EDM/IDM, Glitch, Minimalism, Drone, Jazz and Ambient.
Increasingly inspired by the ethos of early American minimalism, I was entranced with Ambient and Drone pieces I encountered (Particularly Brian Eno/Laraaji’s Ambient 4, Elaine Radique’s Trilogie De la Mort & Loscil’s Plume). At the same time, Paul Lansky’s Homebrew & The Future Sound of London’s Lifeforms were changing the way I viewed electronic music as a whole.
In my own music, the diverse influence of the full spectrum of sound and genre make up my palette when composing and I strive to deliver truly unique sonic experiences without ever compromising on delivering a satisfying and engaging listening experience.
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